The first of the three Vaishnava armies — the anis — whose sadhus wear the urdhva-pundra of Vishnu on the forehead rather than the three horizontal lines of Shiva, and whose ishta is Rama.
The Vaishnava side of the akhada world is organised not into akhadas alone but into anis — the word means an army. Tradition holds that when the Ramanandi order raised fighting monks in the early eighteenth century under Swami Balanand, three anis were constituted with distinct functions: Digambar as the Raja or king, Nirmohi as the Mantri or counsellor, and Nirvani as the Sena or army proper.
The reason for their existence was concrete. The eighteenth century was a period in which temples, monasteries and pilgrim routes needed defending, and the Vaishnava orders — like the Shaiva ones before them — answered by training their renunciates in arms. The regimental vocabulary that survives at the Kumbh today is the residue of that history.
The name digambara means "sky-clad" — literally, one whose only garment is the directions of space. It is the same word used for the naked ascetics of other Indian traditions, and it marks the austerity at the root of this ani.
Ramanandi bairagis are devotees of Rama, and through him of Vishnu. Their sadhus are marked by the urdhva-pundra, the vertical tilak drawn up the forehead, which distinguishes them at a glance from the horizontal tripundra of the Shaiva sannyasis — the simplest and most reliable way for a visitor to tell which family of akhada a sadhu belongs to.
The Vaishnava anis have their own order of bathing, distinct from the Shaiva akhadas'. At Nashik-Trimbakeshwar this is not a detail but the defining structure of the Simhastha: the Vaishnava akhadas bathe at Ramkund in Nashik and the Shaiva akhadas at Kushavarta Kund in Trimbakeshwar, on separate days — an arrangement that settled a long and once-bitter dispute over precedence, and that will be seen again on 11 and 12 September 2027.
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The best known of the three anis outside the Mela, seated at Ayodhya, and a party to the longest litigation in Indian history.
Read: Nirmohi Ani Akhada →